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Few minus points are its flat narration, loose editing and quite stretching second half. What’s another feat is its out and out feminist film, there’s not a single male character except the only one who’s male nurse in a minor role. Like ‘Avatar’, ‘The Blind Side’ or most of the US films, here it’s not white man who uplifts the black protagonist but the teacher of her own race unusual for Hollywood film. What I do like is the way director & writer explored the whole theme with utmost probability. The last ten minutes of her reveling mind is the scene to watch, the reason enough why she deserves Oscar trophy of best actress. If Waltz was best evil human character this year, Mo’Nique is one of the worst mothers I’ve ever seen on screen.
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Precious is too dark, violent and full of hard exploitation but it’s inspirational one for many ill fated abused ones. Guided by her new caring teacher, she slowly discovers herself and becomes positive about life. Life is a real hell for her for this unwanted girl until she joins alternative school. But the biggest abuse lies at the home where her own father raped and made her pregnant for the second time and her physically and verbally violent mother.
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She’s too fat and ugly, neither know how to read or write and everybody frequently humiliated her at school.
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Precious is sixteen years black skin high school girl of Harlem. Heartily thanks for the readers, commenters for inspiration to improvise me in direct/indirect way.
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PS- I achieved 500 movie reviews record with this post on blog. But unlike his earlier ones, here it’s more positive and a fine feel good film. The end seems quite flippant and sudden and there’s lot of repetition in situations, types, gags and yet there’s something so delicate about strings of tangled hearts.
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There’s lot of exquisite aestheticism around romance usual for Woody film so there’s Opera, Bach or sweet poetry of E E Cummings. There are some wonderful songs personifying every character’s mood. Mia, Dianne & Barbara too played their parts so well. It ends with positive note where Groucho Marx movie & love becomes his final savior.Ĭasting is again fine one whether its Michael Caine struggling between his extra marital affair with his wife’s sister and inherent guilt that’s constantly hammering his conscience. Watch his leaps seeking spiritual solace in Catholicism or Lord Krishna to bring some hope to his already pessimistic perspective of the world. Woody keeps his usual misanthrope self on screen as hypochondriac Mickey struggling with his far fetched medical complications and commenting on philosophers ranging from Socrates to Nietzsche. And than there’s Holly(Dianne Wiest), the third sister constantly insecure about her duller talents & identity compared to her two graceful lucky sisters she’s just routine inferiority stricken mediocre becomes final hope for a hypochondriac & puzzled intellectual Mickey (who else than Woody!). Hannah (Mia Farrow) is more mature, compassionate, supportive having all ingredients of an ideal woman. She’s rekindling romance with her sister Hannah’s hubby Elliott (Michael Caine) who’s long infatuated to her. The film centers on tangled relationships between three sisters and the husbands.įrederick (Max Von Sydow) is too old, misfit and cynic artistic husband for charming, gullible & directionless romantic Lee (Barbara Hershey). Once again Woody comes with what he’s best at- a drama of complicated human emotions finding love as final solace. “Millions of books written on every conceivable subject by all these great minds and in the end, none of them knew anything more about the big questions of life than I do…Maybe the poets are right.